Szymanowski
Karol Maciej Szymanowski (3 October 1882 – 28 March 1937) was a Polish composer and pianist.
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
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Total 14 sheet(s) found, listing between 0 - 14.
Song | Added By | Pages | Instruments | Sheet Type | File |
sonata 3 |
Muraka (34)
4954d ago
|
4 | Piano | Original | |
4 Etudes for piano |
saffr0n (161)
4956d ago
|
22 | Piano | Original | |
tois caprices |
violin123bow (41)
4974d ago
|
26 | Piano, Violin | Original | |
mythes |
violin123bow (41)
4974d ago
|
9 | Violin | Original | |
Myths |
violin123bow (41)
4974d ago
|
36 | Piano | Original | |
Nynie otpuszczajeszy |
tuchlin (1)
5003d ago
|
2 | Vocal | Book | |
Variations on a Polish Folk Theme, Op 10 |
bnm123 (21)
5050d ago
|
20 | Piano | Book | |
Piano Sonata No 3, Op 36 |
bnm123 (21)
5050d ago
|
29 | Piano | Book | |
etude |
jeannecp (10)
5069d ago
|
5 | Piano | Original | |
Métopes |
lotar (3)
5111d ago
|
28 | Piano | Original | |
Masques |
lotar (3)
5112d ago
|
36 | Piano | Original | |
Preludes |
lotar (3)
5112d ago
|
18 | Piano | Original | |
Etudes op.33 |
Pianista50 (1)
5195d ago
|
22 | Piano | Original | |
Piano Variations, Op 10 |
naryamithrandir (2)
5326d ago
|
20 | Piano | Other |