Luciano Berio
Luciano Berio, Cavaliere di Gran Croce OMRI (October 24, 1925 – May 27, 2003) was an Italian composer. He is noted for his experimental work (in particular his 1968 composition Sinfonia for voices and orchestra and his series of numbered solo pieces titled Sequenza) and also for his pioneering work in electronic music.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
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Total 44 sheet(s) found, listing between 0 - 20.
Song | Added By | Pages | Instruments | Sheet Type | File |
notturno |
ehoh (113)
4556d ago
|
51 | Cello, Violin, Viola | Original | |
Linea for 2 pianos, vibraphone and marimba |
chungmusic (17)
4834d ago
|
56 | Piano | Original | |
les mots sont alles |
Watsonboy (8)
4851d ago
|
2 | Cello | Original | |
O King |
lamagist (92)
4865d ago
|
12 | Piano, Cello, Violin, Clarinet, Vocal | Original | |
Luciano Berio |
prblase (49)
4876d ago
|
4 | Bass | Original | |
Sequenza per flauto solo |
jonyjona (3)
4899d ago
|
7 | Flute | Original | |
6 encores |
dimdimd (26)
4923d ago
|
20 | Piano | Original | |
seqeunza |
ilankozlov (7)
4949d ago
|
3 | Flute | Book | |
sequnza |
ilankozlov (7)
4949d ago
|
3 | Flute | Book | |
Sequenza IX b for alto saxophone (1981) |
polifem (1)
4953d ago
|
10 | Saxophone | Original | |
Circles |
Judith.Qu (2)
4959d ago
|
13 | Vocal, Harp | Other | |
Naturale |
dmitri2 (1)
4961d ago
|
32 | Viola, Percussion | Original | |
Sequenza III per voce femminile |
kvitske (5)
4965d ago
|
5 | Piano, Vocal | Original | |
Sequenza VII - Per oboe solo |
gonzalopc (2)
4975d ago
|
3 | Flute, Horn | Original | |
Sequenza I |
gonzalopc (2)
4975d ago
|
7 | Flute | Original | |
feuerklavier |
jose1358 (1)
4984d ago
|
7 | Piano | Original | |
Sequenza IX |
bartokiano (1)
4985d ago
|
20 | Clarinet | Original | |
Sonata |
leolb (8)
4996d ago
|
2 | Piano | Transcription | |
6 encores |
nciatara (3)
4998d ago
|
20 | Piano | Original | |
Sequenza XI for guitar |
cordobaba (43)
5016d ago
|
14 | Guitar | Original |