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Added by rogitech 5064d ago

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The eight volumes of Songs...(more) Without Words, each consisting of six "songs", were written at various points throughout Mendelssohn's life, and all were published separately; two were published posthumously. The piano became increasingly popular in Europe during this era, where it became the focal point of many middle-class households. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. This great popularity has caused many critics to under-rate their musical value.

The first volume was published by Novello in London (1832) as Original Melodies for the Pianoforte, but the later volumes used the title Songs Without Words.[1]

The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of 'Song Without Words' was new. Mendelssohn's sister Fanny wrote a number of similar pieces (though not so entitled) and, according to some music historians, she may have helped inspire the concept. The title "Song without words" seems to have been Felix Mendelssohn's own invention. In 1828, Fanny wrote in a letter 'My birthday was celebrated very nicely ... Felix has given me a 'song without words' for my album (he has lately written several beautiful ones)'.[1]

Mendelssohn himself resisted attempts to interpret the Songs too literally, and objected when his friend Souchay sought to put words to them to make them literal songs:

What the music I love expresses to me, is not thought too indefinite to put into words, but on the contrary, too definite. {Mendelssohn's own italics}[2]

Mendelssohn also wrote other Songs Without Words not collected in volumes, and published only in recent years. Furthermore, original drafts exist for many of the 'Songs' many of which differ quite substantially for the eventually published versions. In 2008 the Italian pianist Roberto Prosseda recorded the most complete collection of Mendelssohn's Songs Without Words for Decca Records totalling 56 Lieder, some of them never recorded before.

Other composers who were inspired to produce similar sets of pieces of their own included Charles-Valentin Alkan (the five sets of Chants, each ending with a barcarolle), Anton Rubinstein, Ignaz Moscheles and Edvard Grieg (his Lyric Pieces). Both Alkan and Rubinstein frequently included items from the Songs in their recitals. Ferruccio Busoni, who considered Mendelssohn "a master of undisputed greatness", turned to the Songs without Words in the last year of his life for a projected series of recitals in London.




Book 1, Op. 19 (1829-1830)
No. 1 Andante con moto in E major
No. 2 Andante espressivo in A minor
No. 3 Molto allegro e vivace in A major ("Hunting Song")
No. 4 Moderato in A major
No. 5 Poco agitato in F-sharp minor
No. 6 Andante sostenuto in G minor ("Venezianisches Gondellied" [Venetian Boat Song] No. 1)