Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
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Total 818 sheet(s) found, listing between 660 - 680.
Song | Added By | Pages | Instruments | Sheet Type | File |
Nutcracker4Russian |
Cesc (20)
5177d ago
|
4 | Piano | Original | |
Piotrilitch Sentimental waltz (Violin part) |
fabiofsf (38)
5177d ago
|
10 | Violin | Original | |
Le Chant de l'Alouette |
a.hurxkens (4)
5179d ago
|
6 | Clarinet, Flute | Transcription | |
Hamlet, Op. 67 (Flute 1, 2, 3) |
siathryn (21)
5179d ago
|
20 | Flute | Original | |
Marche Slave |
minkyong (17)
5179d ago
|
5 | Violin | Original | |
Romance op. 5 |
ottawa (52)
5181d ago
|
4 | Piano | Original | |
Dance of the sugar plum fairy |
leviran (1)
5182d ago
|
4 | Piano | Transcription | |
March Slav op.31 violin 2 |
Raullopez101 (10)
5186d ago
|
6 | Violin | Original | |
Valse sentimental |
shsia (3)
5187d ago
|
1 | Violin | Original | |
romance |
khan (64)
5187d ago
|
5 | Piano, Violin | Other | |
Sleep Beauty Waltz |
aronan7 (1)
5189d ago
|
4 | Flute | Other | |
Barcarolle |
gokomani (8)
5190d ago
|
3 | Viola | Original | |
piano trio |
kmarmili (91)
5190d ago
|
12 | Violin | Original | |
swan lake |
nnalka (1)
5191d ago
|
2 | Piano, Violin | Other | |
Lied - Moderato Assai |
ghostlovescore (6)
5191d ago
|
1 | Piano | Original | |
Italian Song |
Nikolaos (135)
5192d ago
|
2 | Piano | Other | |
Romeo and Juliet fantasy overture |
r_brum_b (1)
5194d ago
|
10 | Clarinet | Original | |
Lonely Dreams |
kmacleod (1)
5194d ago
|
1 | Piano | Original | |
Grand Sonata in G Major, Op.37 |
TatyanaTMD (2)
5194d ago
|
53 | Piano | Other | |
Marsch |
steve68 (6)
5195d ago
|
4 | Piano, Trumpet, Clarinet, Flute | Transcription |